How a cover comes to life

I've always said that covers are like giving birth. You don't know what you're going to get until it comes out. Harlequin American has been doing some fantastic covers lately (I'm still with both Kathleen and Linda--moving to Toronto and finding that hot guy on her cowboy book. I'm single--I can do that, ha ha).

Above is my cover for my April release, Nine Months' Notice. I received the cover pdf via email about a week ago. At Harlequin American, here's how the cover process works (at least for me). It may vary for the other authors, but I'm betting it's 90 percent the same.

First step is completing an on line art fact sheet. These can be done up to a year in advance. For example, I completed this art fact sheet in either September or October this year. I haven't done one yet for my November American, but I have for my NASCAR book. The art fact sheet asks for all the pertinent details like hair color, height, etc., basically how the characters look. The sheet also asks for the setting of the story, any important landmarks, and three important scenes. We also answer some questions that allow us to describe the mood of the book and how the characters grow and change. If we have an idea for the cover, we can include that in this section.

Then we're done. That's our part. I don't submit pictures or anything like that, letting the art department take it away. From what I understand from a Harlequin workshop I went to, Harlequin holds a meeting with the editors, marketing, and art people. Then they brainstorm what they want. Someone writes the text. Models come in and are posed so that pictures are taken, and then the artist uses a computer to create the art. This is why some covers look so lifelike--because those people really exist out there and they were actually posed into that position so the artist had something to work from. Just like Disney brought in real lions for The Lion King, Harlequin brings in real people.

From there, they take it away, editing, fixing, and tweaking until satisfied. Then, around three to four months before the book debuts, I can request the cover be sent to me and I open it. There in full view on my computer screen is the cover of the book I sweated over and loved writing. I print it out, hold it, and show it off. Hence, the birth of a baby analogy.

I've been blessed to have some wonderful covers. (They are at www.micheledunaway.com Click on backlist.) The full cover text of my April cover is below if you want to see a larger image and read what it says on the back cover.

Thanks for taking part in this "birth" with me. My April book is child number 14 for Harlequin American since my first book debuted in October 2000. I still pinch myself every time that I get to do this.

All the best and happy weekend,

Michele